Skip to content

Emma Everitt, director of Adam Hills: Foot Fault

Back to Listing

We sat down with Emma Everitt, the director of Adam Hills: Foot Fault to talk about the motivations and challenges she faced throughout the production of our new film for Sky Documentaries.

๐—ช๐—ต๐—ฎ๐˜ ๐—ฐ๐—ฎ๐—ป ๐—ฝ๐—ฒ๐—ผ๐—ฝ๐—น๐—ฒ ๐—ฒ๐˜…๐—ฝ๐—ฒ๐—ฐ๐˜ ๐—ณ๐—ฟ๐—ผ๐—บ ๐—™๐—ผ๐—ผ๐˜ ๐—™๐—ฎ๐˜‚๐—น๐˜?
Fundamentally, this is a film about being included. Disabled or not, itโ€™s hopefully something all viewers can relate to. You can expect laughter throughout with Adam Hills' infectious humour, feelings of frustration and injustice at disability being often โ€˜left on the sidelinesโ€™, and tears of joy as you follow the "tribe" of Para Standing Tennis players campaigning to be seen.

๐—ช๐—ต๐—ฎ๐˜ ๐˜„๐—ฒ๐—ฟ๐—ฒ ๐˜๐—ต๐—ฒ ๐—ฏ๐—ถ๐—ด๐—ด๐—ฒ๐˜€๐˜ ๐—ฐ๐—ต๐—ฎ๐—น๐—น๐—ฒ๐—ป๐—ด๐—ฒ๐˜€ ๐˜†๐—ผ๐˜‚ ๐—ณ๐—ฎ๐—ฐ๐—ฒ๐—ฑ ๐—ฑ๐˜‚๐—ฟ๐—ถ๐—ป๐—ด ๐˜๐—ต๐—ฒ ๐—ฝ๐—ฟ๐—ผ๐—ฐ๐—ฒ๐˜€๐˜€?
Getting the federations and Grand Slams to buy into this "new" form of tennis, and the tight turnaround on the film - simultaneously running two edits and filming on location.

๐—ช๐—ต๐—ฎ๐˜ ๐—ถ๐˜€ ๐˜†๐—ผ๐˜‚๐—ฟ ๐—ณ๐—ฎ๐˜ƒ๐—ผ๐˜‚๐—ฟ๐—ถ๐˜๐—ฒ ๐—ฝ๐—ฎ๐—ฟ๐˜ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐—ฑ๐—ผ๐—ฐ๐˜‚๐—บ๐—ฒ๐—ป๐˜๐—ฎ๐—ฟ๐˜† ๐—ฎ๐—ป๐—ฑ ๐˜„๐—ต๐˜†?
The standup. Often documentaries can feel quite straight and serious, but I was keen to subvert the genre and really lean into both Adam's humour and, for the Para Standing Tennis players, the biggest joke of all - their sport not being recognised by the Grand Slams or governing bodies. Comedy can help address challenging subject matter or provide some lightness after quite tense or serious scenes. I'm really pleased with the way lead editor, Andy Hewitt, has cut the standup into film and made the other scenes subversive and fun.

๐—ช๐—ต๐—ฎ๐˜ ๐˜„๐—ฎ๐˜€ ๐˜๐—ต๐—ฒ ๐—ฏ๐—ฒ๐˜€๐˜ ๐—ฝ๐—น๐—ฎ๐—ฐ๐—ฒ ๐˜†๐—ผ๐˜‚ ๐˜ƒ๐—ถ๐˜€๐—ถ๐˜๐—ฒ๐—ฑ during ๐—ณ๐—ถ๐—น๐—บ๐—ถ๐—ป๐—ด ๐—ฎ๐—ป๐—ฑ ๐˜„๐—ต๐˜†?
Spoiler alert ... Wimbledon. Throughout the film, it feels like, for Adam, the only way to sufficiently shine a spotlight on Para Standing Tennis is to play at the venue he dreamed of as a child, tennis' spiritual home. In the final scene, Adam and a number of the characters we've met walk out on toย Centre Court. After playing on the hallowed turf, they chat in the tunnel, underneath the famous Kipling quote โ€œIf you can meetย withย Triumphย andย Disaster,ย Andย treat those two impostors justย theย same". That felt apt.

๐—ช๐—ต๐—ฎ๐˜ ๐—ฑ๐—ผ ๐˜†๐—ผ๐˜‚ ๐˜๐—ต๐—ถ๐—ป๐—ธ ๐˜๐—ต๐—ฒ ๐—ฎ๐˜‚๐—ฑ๐—ถ๐—ฒ๐—ป๐—ฐ๐—ฒ ๐˜„๐—ถ๐—น๐—น ๐—น๐—ฒ๐—ฎ๐—ฟ๐—ป ๐—ณ๐—ฟ๐—ผ๐—บ ๐˜„๐—ฎ๐˜๐—ฐ๐—ต๐—ถ๐—ป๐—ด ๐˜๐—ต๐—ถ๐˜€ ๐—ฑ๐—ผ๐—ฐ๐˜‚๐—บ๐—ฒ๐—ป๐˜๐—ฎ๐—ฟ๐˜†?
What Para Standing Tennis is. And for people's misconceptions about disability to be challenged.ย 

๐—ช๐—ต๐—ฎ๐˜ ๐—ถ๐—ป๐˜€๐—ฝ๐—ถ๐—ฟ๐—ฒ๐—ฑ ๐˜†๐—ผ๐˜‚ ๐˜๐—ผ ๐—บ๐—ฎ๐—ธ๐—ฒ ๐˜๐—ต๐—ถ๐˜€ ๐—ฑ๐—ผ๐—ฐ๐˜‚๐—บ๐—ฒ๐—ป๐˜๐—ฎ๐—ฟ๐˜†?
I am a secondary carer to a brother with Down's Syndrome. Telling stories about minority voices was the reason I became a filmmaker. In this documentary, I wanted disability to be incidental, rather than front and centre. Disability is often sensationalised, depicted as either tragic or 'inspiration porn'. I wanted the characters to be seen as people rather thanย disabledย people.

We use cookies to give you the best experience of using this website. By continuing to use this site, you accept our use of cookies. Please read our for more information.